The power of the west wind is also suggested through the idea that the Atlantic ocean, possessed of ‘level powers’, creates ‘chasms’ and gaps for the wind to echo within. A poem by P. B. Shelley, published 1820. Are driven, like ghosts from an enchanter fleeing. The "locks of the approaching storm" – the thunderclouds, that is – are spread through the airy "blue surface" of the West Wind in the same way that the wild locks of hair on a Mænad wave around in the air. Her clarion o’er the dreaming earth, and fill When the wind touches the trees they start to speak with each other perhaps that sound gives fear but it will nice hear. It is strong and fearsome. Shelley is, of course, using the idea of falling on the thorns of life as a metaphor for his emotional and psychological torment. It’s as if the leaves have been infected with a pestilence or plague, that makes them drop en masse. The level of the Atlantic Ocean breaks itself into a different perspective for the west wind. The Maenads’ name literally translates as ‘raving ones’ because they would drink and dance in a frenzy. “Ode to the West Wind” is an ode, written by Percy Bysshe Shelley in 1819 near Florescent, Italy. Explain in your own words Explain in your own words Asked by Allegra g #994502 on 3/25/2020 9:21 AM A wave to pant beneath thy power, and share. O Wind, Here the speaker admits himself that if he could have been a leaf or cloud or feel young and powerful he wouldn’t ask Westwind for help so he begs the Westwind to treat him as the Westwind treats the natural objects like waves and leaves and clouds. O thou, Like the bright hair uplifted from the head. The blue Mediterranean, where he lay, I bleed!” in “Ode to the West Wind,” and “To a Skylark” as accounts of such moments sustained for an entire poem and distilled from all feelings of lesser intensity. Afterwards, the speaker wishes that the west wind could help him spread his ideas in the world the way it drives the dead leaves… All overgrown with azure moss and flowers During the vacation time, ancient Romans come to Bride’s bay to spend their leisure time and it’s their holiday spot as well but the west wind has woken the Mediterranean Sea and also making the sea jerk. The locks of the approaching storm. The storm which the west wind brings is spread through the airy “blue surface ” of the West wind in the same way Maenad a savage woman who hangs out with the God Dionysus in Greek mythology. “Ode to the West Wind” is an ode, written in 1819 by the British Romantic poet Percy Bysshe Shelley near Florence, Italy. A dreamy evocation of the Mediterranean, including an isle of pumice rock in ‘Baiae’s bay’ (Baiae was an ancient Roman town on the northwest shore of the Gulf of Naples), and ‘old palaces and towers’ overgrown with blue moss and sweet flowers. Destroyer and preserver; hear, oh hear! The poem is divided into five sections, each addressing the West Wind in a different way. In other words, he is suffering, in pain, tormented. In this poem, Shelley repeatedly calls to the west wind to help him spread his knowledge. Lull’d by the coil of his crystalline streams. Shelley himsel… Of vapours, from whose solid atmosphere And if the poet's leaves blow in the wind like those from the forest trees, there will be heard a deep autumnal tone that is both sweet and sad. Now Shelley talks about the clouds borne by the west wind as being like locks of har on the head of ‘some fierce Maenad’: the Maenads were a group of women who followed the god Dionysus in classical myth. I. O wild West Wind, thou breath of Autumn's being, Thou, from whose unseen presence the leaves dead . Summary, Stanza 5 The poet asks the west wind to turn him into a lyre (a stringed instrument) in the same way that the west wind's mighty currents turn the forest into a lyre. Shelley is saying that if he could recapture that boyhood freedom, he would never have to pray to the west wind in times of need. Thou who didst waken from his summer dreams The wind brings new beginnings and takes away the old and aged. The west wind compares as both “Destroyer and Preserver ” I would like to compare the west wind to “Jesus Christ ” because in the Old Testament he portrayed himself as a “Punishing God” but in the New Testament he portrayed himself as a “Forgiving God” even to the people who killed him brutally. eNotes critical analyses help you gain a deeper understanding of Ode to the West Wind so … The trumpet of a prophecy! The speaker exalts wind as “wild spirit “which moves all over the places“. Loose clouds like earth’s decaying leaves are shed, … On the blue surface of thine aëry surge, The best way to go about offering an analysis of ‘Ode to the West Wind’ is to go through the poem and provide a part-by-part summary, pointing out some of the most important features of Shelley’s poem. Consequently, the poem becomes his much-needed mouthpiece; it helps him to invoke the mighty west wind solely, to employ its tempestuous powers in spreading his “dead thoughts” over a placid generation. Ashes and sparks, my words among mankind! Sweet though in sadness. Shelley likens himself to the forest in that his ‘leaves are falling’: he is withering away, but also growing older (mind you, he was only in his mid-twenties when he wrote ‘Ode to the West Wind’!). Both Shelley and the forest will sing sweetly, though ‘in sadness’ (the forest because it’s losing its leaves, and Shelley because he is losing hope). But what does it mean? The wind comes and goes. Shelley sees his poem as a religious incantation or chant, which will magically make the wind scatter his thoughts like leaves – or, indeed, like ashes and sparks in a fireplace. He compromises himself by saying that he cannot be a leaf or a cloud but when he was young he had a great lovely relationship with the west wind. Wild Spirit, which art moving everywhere; L’ Ode al vento dell’Ovest (Ode to the West Wind, nel titolo originale) è tra le liriche più celebri di Percy Bysshe Shelley (1792-1822), marito di Mary Shelley, autrice del romanzo horror Frankenstein (1818). Vaulted with all thy congregated might. And, by the incantation of this verse, Scatter, as from an unextinguish’d hearth This is where things get a little harder to pick apart and analyse. ‘Ode to the West Wind’ was written in 1819 during a turbulent time in English history: the Peterloo Massacre on 16 August 1819, which Shelley also wrote about in his poem ‘The Mask of Anarchy’, deeply affected the poet. Quick Reference. When Shelley penned “Ode to the West Wind” in 1819, many people in England were actually starving and sickening. Than thou, O uncontrollable! In the famous closing words of the poem, ‘If Winter comes, can Spring be far behind?’, Shelley returns to the earlier imagery of the poem involving the west wind scattering the dead leaves to pave the way for the new trees next spring; the poem ends on a resounding note of hope for what the future could bring – for Shelley, nature, and for the political world. Thus, the wind is described as a being like a god, with angels for hair. In order to show the power of wind he uses many examples of things that are affected by wind; it drives away the dead leaves, places new seeds in the earth, brings thunderstorms with it and can make mighty waves in the oceans. Post was not sent - check your email addresses! 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